The Gaskell Journal – Volume 33 (2019)
“All is not exactly as I pictured it”: The Illustrated Editions of Elizabeth Gaskell’s North and South
“A Regular Bewty!”: Women Remaking and Remade in Elizabeth Gaskell’s Cranford
Lucy Hartley (ed.), The History of British Women’s Writing, Volume 6: 1830-1880. London: Palgrave Macmillan, 2018.
Adrienne E. Gavin and Carolyn W. de la L. Oulton (eds), British Women’s Writing from Brontë to Bloomsbury, Volume 1: 1840s and
1850s. Cham, Switzerland: Palgrave Macmillan, 2018.
Nancy Henry, Women, Literature and Finance in Victorian England: Cultures of Investment. Cham, Switzerland: Palgrave Macmillan, 2018.
Susan Fraiman, Extreme Domesticity: A View from the Margins. New York: Columbia University Press, 2017.
The Gaskell Journal – Volume 34 (2020)
Anthony Burton and Diane Duffy
Elizabeth Gaskell and the Industrial Poor: How Did She Know
Working-Class Methodism and Eschatological Anxiety
in Elizabeth Gaskell’s Fiction
John Ruskin, via Elizabeth Gaskell, and the Working Classes
Gaskell as Orpheus: The Tyrant Custom and the Trope of the
Sulphured Beehive in North and South (1855)
M. Joan Chard, Victorian Pilgrimages: Sacred-Secular Dualism in
the Novels of Charlotte Brontë, Elizabeth Gaskell, and George Eliot.
New York: Peter Lang, 2019.
Melissa Schaub, Performativity in Elizabeth Gaskell’s Shorter Fiction:
A Case Study in the Uses of Theory. Cham, Switzerland:
Palgrave Macmillan, 2019.
Dewey W. Hall and Jillmarie Murphy (eds), Gendered Ecologies:
New Materialist Interpretations of Women Writers in the Long
Nineteenth Century. Clemson, SC: Clemson University Press
in association with Liverpool University Press, 2020.
Chung-jen Chen, Victorian Contagion: Risk and Social Control
in the Victorian Literary Imagination. New York: Routledge, 2019.