<Volumes 31 & 32

The Gaskell Journal – Volume 33 (2019)

Roxanne Gentry
“All is not exactly as I pictured it”: The Illustrated Editions of Elizabeth Gaskell’s North and South

Julia Clarke
“A Regular Bewty!”: Women Remaking and Remade in Elizabeth Gaskell’s Cranford


Helen Goodman
Lucy Hartley (ed.), The History of British Women’s Writing, Volume 6: 1830-1880. London: Palgrave Macmillan, 2018.

Emily Morris
Adrienne E. Gavin and Carolyn W. de la L. Oulton (eds), British Women’s Writing from Brontë to Bloomsbury, Volume 1: 1840s and
Cham, Switzerland: Palgrave Macmillan, 2018.

Ben Moore
Nancy Henry, Women, Literature and Finance in Victorian England: Cultures of Investment. Cham, Switzerland: Palgrave Macmillan, 2018.

Tristan Burke
Susan Fraiman, Extreme Domesticity: A View from the Margins. New York: Columbia University Press, 2017.

<Volumes 31 & 32

Volume 35>

The Gaskell Journal – Volume 34 (2020)

Anthony Burton and Diane Duffy
Elizabeth Gaskell and the Industrial Poor: How Did She Know
About Them?

Elizabeth Ludlow
Working-Class Methodism and Eschatological Anxiety
in Elizabeth Gaskell’s Fiction

Francis O’Gorman
John Ruskin, via Elizabeth Gaskell, and the Working Classes

Christopher Harrington
Gaskell as Orpheus: The Tyrant Custom and the Trope of the
Sulphured Beehive in North and South (1855)


Shirley Foster
M. Joan Chard, Victorian Pilgrimages: Sacred-Secular Dualism in
the Novels of Charlotte Brontë, Elizabeth Gaskell, and George Eliot
New York: Peter Lang, 2019.

Carolyn Lambert
Melissa Schaub, Performativity in Elizabeth Gaskell’s Shorter Fiction:
A Case Study in the Uses of Theory
. Cham, Switzerland:
Palgrave Macmillan, 2019.

Christie Harner
Dewey W. Hall and Jillmarie Murphy (eds), Gendered Ecologies:
New Materialist Interpretations of Women Writers in the Long
Nineteenth Century.
Clemson, SC: Clemson University Press
in association with Liverpool University Press, 2020.

Jessie Reeder
Chung-jen Chen, Victorian Contagion: Risk and Social Control
in the Victorian Literary Imagination
. New York: Routledge, 2019.

Volume 35>