The Gaskell Journal – Volume 25 (2011)
Andrew Mauder
Mary Barton Goes to London: Elizabeth Gaskell, Stage Adaptation and Working Class Audiences
Barbara Hardy
Two Women: Some Forms of Feeling in North and South
Maria Cano Lopez
This is a Feminist Novel: The Paradox of Female Passivity in Ruth
Loretta Miles Tollefson
Controlled Transgression: Ruth’s Death and Unitarian Concept of Sin
Jennifer M. Stolpa Flatt
Parallel Ministries: Ruth and Benson’s Pastoral work
Joanne Shattock
Elizabeth Gaskell and Her Readers: From Howitt’s Journal to The Cornhill
Anna Koustinoudi
The Febrile ‘I’/Eye: Illness as Narrative Technique in ‘Six Weeks at Heppenheim’
A.J. Larner
A Habit of Headaches: The Neurological Case of Elizabeth Gaskell
Alan Shelston
From Cranford to the Conspirators of Naples: Gaskell and the Secret Society of the Camorra
The Gaskell Journal – Volume 26 (2012)
Kerri E. Hunt
‘Nouns that were signs of things’: Object Lessons in Eliabeth Gaskell’s North and South
Mark Celeste
‘You say you want a Revolution’: Dialectical Soundscapes in Gaskell’s North and South
Beatrice Bazell The ‘Atrocious’ Interior: Wallpaper, Machinery and 1850s Aesthetics in North and South
Maura Dunst ‘Speak on, desolate Mother!’: Elizabeth Gaskell’s Isolated (M)others
Peter Garratt
Death and Variations: North and South and the Work of Adaptation
Thomas Recchio
Elizabeth Gaskell as ‘A Dramatic Common’: Stanley Houghton’s appropriation of Mary Barton in Hindle Wakes
Chris Louttit
The Pleasures of the Return: Cranford, the Sequel